Juror's Statement

There was a broad range of exceptional cups that were well crafted, from functional to sculptural utilizing a variety of techniques. I chose 169 pieces out of 313.These objects challenge us to present the most common form in a unique manner by presenting them in an interesting or provocative fashion. They are intimate forms of expression that possess strength in concept as well as technical skill. I tired to include different attitudes within ceramics so it becomes more about a good piece rather than my own criteria, but it is difficult to leave my persona out of it. My choices were those that had an attitude about them, a sense of self- assurance that combined a level of intention by the maker. They must have a unifying compositional flow that is inviting either for use or observing an impressive design. Additionally inclusive are works that are based on narratives, imagery and color, which appeal to my aesthetic sensibilities. All the works chosen for the exhibition involve a compound of all these elements. It is my objective for the works in this exhibition to speak with clarity and elegance to the creative potential of the "cup".

Thank you to everyone who made the effort to enter the exhibition; it has been my great privilege to have the opportunity to view your works. As innovation comes out of wonder, I hope you continue your adventure…

Susan Beiner

Susan Beiner's work is fueled by elements of layering, fragmentation, multiplication, juxtaposition and complication. She uses slipcast and handbuilt porcelain forms to encrust her surfaces and brilliant color to reference artificial life. Her work refers to ideas about one's relationship to nature and the ramifications yet to come. Ms. Beiner is an assistant professor in the Arizona State University’s Herberger College School of Art.